Surreal South
Palm Reader Politics – Copyright 2010 Chris Walter
House and Prayer, Copyright Chris Walter
Pecan Harvest, Copyright Chris Walter
Chris Walter, an MFA candidate in Studio Art at Georgia State University, recently used these images of mine to create totally new art forms. His work is an intersection of photography, digital painting, and collage. These pieces are part of his thesis project, and certainly put an interesting twist on old ideas about art and the cultural landscape of the South!
Poetry- A Select List
Left Behind, “Voices”, forthcoming 2010
Chiron Review, “A Drought of Sky”, 2009
Slab, “Desire”, 2009
Caveat Lector, “Archaeology of the Everyday”, “Summer Fiction”, 2009
Inscape, “Dust”, “Theory of Relativity”, 2009
Clapboard House, “Encyclopedia of a Time That Never Was”, 2009
Breadcrumb Scabs, “Midlife Crisis”, 2009
The Broken Plate, “Refuge”, 2009
Vain, “Thaw”, 2009
Roanoke Review, “Considering the High Cost of Air Conditioning”, 2008
Illya’s Honey, “The Endless Porch”, 2008
Quercus Review, “Generation Gap”, 2008
Keyhole, “Fire in the Wiregrass”, “Paddling Toward Red Bluff”, 2008
Santa Clara Review, “Compromise”, 2008
Town Creek Poetry, “A Brief History of the Wiregrass”, 2008
Blue Collar Review, “Homecoming”, “Storm Rising”, 2007
Farfelu, “Bon Voyage to a Bon Vivant”, 2007
Inkwell, “Empire”, 2006
The Powhatan Review, “Family History”, 2005
Red Hills Reader, “Tongues of the Dead”, 2004
Birmingham Arts Journal, “Last Winter”, 2004
Buckle &, “Fallen Angels”, 2003
Connecticut River Review, “Drought Ending”, 2002
Ginger Hill, “Ahead of the Storm”, “Summer of Death”, 2002
Snake Nation Review, “Salvation”, “Safe Distance”, 2002 (No. 17)
Reed, “Moving Day”, 2001
Georgia’s Backroads
Hosted by Larry John Wilson and produced in 1999 by Carol Fisk, this is one of the most popular programs ever created by Georgia Public Broadcasting, and regularly airs during pledge drives for the network. To see my discussion of the capture of Jefferson Davis, please visit http://www.gpb.org/georgiabackroads/irwinville
